A groundbreaking critical study that captures the disorienting spirit of post-war European drama. Essential reading for anyone fascinated by how theatre abandoned logic to explore the human condition.
Camus's essay on the absurd is the philosophical foundation Esslin builds upon throughout his critical study.
See this bookLaBelle traces the genealogy of absurdist theatre back through Jarry, extending Esslin's historical argument.
See this bookBrecht's play exemplifies the anti-naturalist theatrical innovation that Esslin positions as absurdism's predecessor and context.
See this bookGenet's transgressive narrative prose shares the absurdist sensibility Esslin identifies across drama, poetry, and fiction.
See this book